Tuesday, 13 January 2015

Jazz & Roar - A Short Story



Inspiration is everywhere and most certainly lives in the most storied building in my little town. The Red Brick, once a school, now houses the Hatlen Theatre, home to all local drama troupes and host to Chautauqua, a council of music aficionados whose dedication and fine ears bring a collection of eclectic musical genres to town every season.
Last week I attended Chautauqua (I'm a season's ticket holder, dontcha know) and was struck by the energy alive in the old Red Brick. Partly it was the setting - they say theatres are most certainly possessed and perhaps this is true; theatres are a place where we willingly allow time, identity and even geography to shift - so why wouldn't something ethereal choose to be there?  Partly too it seemed energy crackled from the patrons themselves. There were lovers and seniors (who are not, incidentally, mutually exclusive groups). Sages and sourpusses. There were the married, the divorced, the single and the searching. It seemed to me, sitting there waiting for the curtain to rise, that every body was really just a walking story - and from that I envisioned what a vast lot of characters might have to tell me if they were patrons of Chautauqua in the old Red Brick School.
Please allow me to introduce two of them (and a smattering of others) to you now.... 
    

Jazz & Roar
Chautauqua One



 

For well over half a century, Jasmine Gavin had worn a crisp scarlet dress coat like it was her own stroke of paint. Fine wool, cut to the ankle, and with a shock of black buttons marching down its front, the coat matched her ebony boots with the stiletto heel. So did the calfskin gloves, a new addition. She spanned her fingers, considering both them and how ironic it was that leather, of all goddamn things, was now softer than her hands had become. Gnarled and twisted, it looked like her knuckles played tic-tac-toe with veins that were once faint blue lines but now had popped out and were ropey. They reminded her of the tree roots emerged from the walking trail coiling 'round the outskirts of town.

    Sixty three years ago some of those roots had not even been there yet, but she recalled one, buckling the earth, and as she’d nimbly dodged it, a man, green eyes and a softly shorn ink spill of hair, had rounded the corner toward her. Rory Gavin had made her knees weak that day.

    Not that she’d ever admitted it. Not even on their wedding night when his tie was undone and her white cloud of dress was half off and askew between them. “Tell the truth,” he poised over her, delighting her by being already breathless. “You loved me from the start.”

    She flicked this away. “I lusted for you from the start.” Her hands searched, discovered, and made his eyes wide. “That’s how it was.”

   “You lie, Jazz. You curse. And you never speak but when you do you purposely shock everyone with what you have to say.” He flipped her then, put her on top. “And that’s why I’ll never leave you.”

    Yet he did leave her. Tonight, like decades of nights gone by, she was coming to the Hatlen Theatre in the old Red Brick School alone.

    The crowd outside parted as she approached even though she did not, and never had, expected them to. “You have no idea how you impact an audience, Jazz,” Roar had once said and he’d been right—but that didn’t mean she’d ever understood it. Why would she, a lover of art, of solitude and, later, of Roar, command this sort of unwanted attention? She was an observer to and critic of convention, someone who intentionally avoided forced interactions and unnecessary conversations…so why would she intrigue the imaginings of one single soul?

    “It’s not their imaginations you rouse, Jazz, it’s their intimidation.” Roar had laughed when she’d asked him. “You scare them because they don’t understand you.”

    “And they never will.” The reply was not arrogant, just fact; for while others did not belong in her world, neither did she fit into theirs.

    Not that that had ever stopped many locals from trying to cajole and convince her to be part of their lives.

    And not that she’d ever stopped dodging and hiding.

    “This spot,” she’d once told Roar, turning in an arc just off that walking path ringing the town, the scarlet skirt of her dress coat billowing. “Let’s live here.”

    Roar had surveyed the small clearing, hugged and hidden by forest, thoughts calculating behind his green eyes. The land was zoned as a green space, yet somehow he’d purchased it, and the cottage they built had been all Jazz, all Roar, and for thirteen perfect years nothing outside had ever been needed.

    Until that Sunday when she’d had to call the ambulance.

    Those paramedics had been the last visitors to their cottage. For the fifty years since only her feet—sometimes in these stilettos, other times in moccasins—had ever crossed its threshold.

    An aortic aneurysm. What did that even mean?

    A nurse had tried holding her hand. “His heart exploded for you, Jasmine.”

    For her?  Like some sort of gift or a favor? Unspent profanity had blistered her tongue and her fingers, still soft then, had recoiled, pressed tight to her heart. Yet she’d wondered….had Roar loved her so much his heart burst?

    No.

    If that were true it would mean he’d felt the same combustion and lust and longing she’d felt whenever their eyes met and that…that was impossible. No one loved anybody that much. No one should love anybody that much. It scared her then and now that she did.

    Afterward, and numbly, she had cleared his closet, and when the empty hangers clanged together like wind chimes she’d screamed, the sound ripping a seam in the silence. Her old Nana once insisted that wind chimes were the trap of the Devil and Jasmine had believed it. She still did. And she could still feel the flash and fury of her arm as she’d swept those dancing hangers from the rod. They’d burst into a startled bit of song then clattered to a heap on the floor, silent.

    She too had crumpled, not silent. The sobs tore her chest out and fifty years later, tonight, she could still feel the ragged, phantom hole over her heart. I miss you. That empty pit ached. I still miss you. Time, in perhaps some macabre retribution for her own innate preference, had punished her with decades of the solitude she’d once craved like cream, back before she’d been on that footpath, met Rory Gavin with his green eyes and ink-spill of hair.

    And heard wind chimes too. She shivered. They’d pealed that day, chimes, and as they’d continued on the trail, stepping newly in tandem she had heard them, around another crook in the path, a caress of song against the sky. She had stopped, searched, but the stiff grays and browns of barren fall branches camouflaged them until she’d gasped, gaze landing. The chimes were bits of dried bone, hewn together with what looked like (yet she’d hoped wasn’t) sinew. Her feet, arrested in the carpet of leaves, could not move and Roar—then new to her and still Rory—had cocked his head, eyes following the path of her gaze. “Ah.” He’d approached the chimes while she froze there, heart in her throat. “A sinister effigy. Or maybe just a bad joke.” He’d swiped a finger against them, sent the bones dancing.

    The image and sound had been ghastly.

    Roar had smiled. “Is this windsong the chink in your armor, Jazz?”

    The abbreviation had shaken her out of fear. No one had ever called her anything but Jasmine (or Ms. Brophy) yet on that day and every one after, her name, from him, was Jazz. ‘Jasmine’ had not left his tongue even during the only fight they’d ever had—ironically, and chillingly— about wind chimes. They’d been headed to berry pick, using the private path they’d forged in the woods. She’d halted before a set of glass bells hung from one stretching poplar, feet grasped by the overgrowth of hemlock and creeping ivy. “What the hell?” she’d said and the chimes sang. She fixed Roar with a look she hoped captured the wound. How could he?

    “They’re beautiful, Jazz. They sing even though they hide here in the woods with no one to hear them. Or…maybe that’s the reason they sing.”

    Was he crazy? The damn things weren’t singing. They were calling. And beautiful? Of course they were beautiful. All evil things were. But she knew better than to employ an over-used and misunderstood word like evil with Roar. So instead— “They’re…other-worldly,” she’d said.

    “Yes. Like you.”

    What the hell did that mean?

    “Can’t you see that?” he said. “Listen.” He caressed a piece of glass and the chimes trilled, as though they liked being touched.

    She’d wanted to bat his hand away from it, keep him safe. “They…they trap your soul, Roar.”

    “Yes,” he replied, no shortage of rue. “I’m aware.”

    His heart exploded for you.

    Had Roar been saying that he loved her in spite of, maybe even because of, everything she was? It confused her. Sort of scared her, and when he’d compared her to those goddamn wind chimes it out and out terrified her. “I…I want these damn things off of my property!”

    “It’s my property too.”

    “I want them buried in the deepest patch of muskeg you can find!”

    “Then you’ll have to do it.”

    He’d known she’d been too scared to touch them. “You…you did this to hurt me!”

    “I did this to love you! To show you everything that you are!”

    Bones jingling on the wind? Cut glass dancing on air with the song of a siren? Was that what she was?  Her mouth spluttered, scarlet sweater flapping.

    Roar got near her then, body heat and scent; musky adrenaline. “Swear at me, Jazz. You’ll feel better.”

    Mockery? How dare he? “Fuck you!” she’d shouted. “Fuck you and whatever the hell you’re trying to say! So I like privacy. Hate mediocrity. Despise small talk and small towns and small minds. That’s not evil!”

    “You’re right,” he’d agreed. “It’s beautiful.”

   And with that the wind chimes remained, a tangible détente of one story interpreted two different ways. To date they still hung there, sun-bleached now, broken, yet intact enough to still cry out with one or two notes of song when the wind was right.

    In fact…she hesitated upon the cobblestones leading to the Red Brick School. Were wind chimes trilling right now? Her gaze scoured the two maples flanking the sidewalk, searched their branches. No wind chimes. Instead someone—maybe the Chautauqua council itself—had netted the trunks and branches with blue lights shining ethereally and turning her scarlet coat into amethyst. She gazed at it a moment, enjoying the altered state the blue cast created. Hadn’t she always adored things that shifted reality?

    “Ms. Brophy?” A patron waited, behind her. “You okay?”

    For God’s sake. When you were old it was a fact that your slightest anomalous movement made people think you were about to drop dead on the spot. She wheeled slowly in the direction of the speaker but when she spoke she shocked herself for sounding soft, not sharp. “Mrs. Gavin,” she corrected, then resumed moving, nimble on her stilettos yet knowing she wasn’t; even back home in their cottage and shed of shoes her gait routinely surprised her these days with unpredictable stutters. Not tonight. As stately as the Red Brick itself, she traversed the wintry sidewalk. And as the building swallowed her it occurred that perhaps it was the only thing in town older than she was. 

    The foyer stairs to the lobby were gleaming. Chautauqua nights brought out the best the old building could be and she of all people had seen it; Chautauqua had started back when Roar had still been alive and, hearing of it, they, the town’s most mysterious recluses, had purchased season’s tickets on the spot. Music was their lyrical literature and they drank deeply from every genre, dancing on their cottage’s waxed hardwood, drunk on the huckleberry wine they bottled themselves from berries picked in a private patch undiscovered by greedy locals who tended to hoard all the fruit. Back then it had been such a boon to have an arts group committed to bringing acts into town who weren’t the same cookie-cutter boot-stomp two-step tedium hired for every local dance she and Roar never attended. The progressiveness was something neither of them had ever dared hope for and they lost themselves in Chautauqua, never missed a performance, Jasmine always in her scarlet coat, and Roar wearing his charcoal fedora, a paint stroke of his own paired with jeans, suits, or sometimes crisp button-down shirts. He’d never walked out the door without his signature hat and Jasmine had worn it every day since he’d died—including tonight.

    A compere offered a playbill and she took it, gnarled hands still hidden by calfskin. The Red Brick was cold tonight, unusual. Though aged and with a soaring ceiling and doubtless fissures allowing winter to pour in, the theatre itself had spotlights and mashed-together seats. Sitting within the stifling cluster of bodies typically felt like a sauna. In fact last season Nettle Moran had passed out from the heat.

    Although had Roar been alive she’d have speculated to him that perhaps Nettle had just heard her juiciest bit of gossip to date. And he’d have shushed her, reproached her, yet laughed. She moved in the direction of her seat, muscle memory prompting her toward the spot she’d occupied for decades. Last season as well, and unbeknownst to her, the Chautauqua committee had started the show by honoring its longest-standing patron. The spotlight, alighting her seat, had been appalling yet she’d stood, gracious and with her scarlet coat smartly buttoned and Roar’s fedora covering hair he would not recognize. Shorn and coiffed, white, it was no longer the spill of sable silk she’d once let fall to her waist and that, for some inexplicable reason, had set a sadness down into her soul. Did she grieve the loss life had handed her? Every day. Did she grieve a long life? Never. Not a single trip ’round the sun had been in vain and she cherished every book read, every song heard, and every piece of art viewed—even the bad ones. For poor art only amplified the truly outstanding stories and paintings and music she’d been so privileged, in her lifetime, to hear and see.

    Regardless of the fact that she’d appreciated the vast majority of them all alone.

    She took off Roar’s hat, stroked the scarlet feather she’d long-ago tucked into its band. I miss you.

   “Mrs. Gavin.” Wren Lasting, Chautauqua president, folded his hand in the crook of her arm. “Allow me.”

    And she did allow him this atypical familiarity. Chautauqua council had always been exempt from her embargo on social niceties for she genuinely, and quite simply, enjoyed them. In her estimation each member was a walking summation of the books, art, wine and music they loved. Embodiments of their own brands of culture, each wore their paint strokes unselfconsciously the way art devotees often did. Their very existence celebrated every soul who’d ever dared to color outside of the lines. She adored them. Adored their keen, beautiful ears that brought nine different doorways into her life every year, two hours of sound rich and new and sometimes surprising. Like that harpist two seasons ago whose grating giggles dissolved once her fingers touched strings and awoke angels. Or that black vocalist, hair a tribal riot, who’d crooned in a language life had never given her the opportunity to learn.  

    Wren parked her before her seat. “Thank you,” she said and touched his hand, a gesture she’d never offered. Affection became meaningless if overused and yet…a sharp certainty had just occurred: she and Wren would not indulge in one of their critiques during intermission tonight, there would be no quiet discourse while everyone else escaped to the hospitality room and she remained, blessedly alone, in her seat.

    But why that made her throat close she had no idea.

    Wren remained, not hovering as if over some old person, just standing, a gentleman for a lady, until she sat down. “Enjoy your evening, Jasmine,” he said, and for a flicker it seemed something predictive drifted across his face and that he felt it too, her inexplicable melancholia. “Goodbye,” she said.

    He looked startled.

    “Goodnight,” she corrected. Christ. Maybe she really had turned into a dotty old lady, finally at one with the masses.

    “Goodnight,” he replied and she sat, took her gloves off, folded them over the playbill on her lap so that tonight’s show would remain a mystery. It had been a game she and Roar played, wanting to be surprised by the music, their anticipation adding to the magic of each Chautauqua evening.

    Overhead the house lights flicked and patrons replied; bustling to their seats, shedding coats and ceasing their bee-buzz of chatter. A loud silence descended once they all settled down, the sound of expectation.

   Then the curtain rose and Jasmine’s gaze followed it, always followed it, watched the arched beam over the stage swallow it in one velvet gulp.

    When she lowered her eyes the scene on the stage locked her throat in a scream.

    Wind chimes. Everywhere. Every style. Seashells, bamboo, cut glass and…oh, Lord, were those bone? Her hand flew up, covered her mouth, the other following as insurance. Beneath her fingers her skin felt like tissue paper and the bones—my bones!—really did feel knotted and lumpy.

    On stage the wind chimes began trilling and she wondered—what would her ruined bones sound like as wind chimes? The accompanying image was all the more shocking for not being morbid and, in memory’s ear, she heard him again—“They’re beautiful, Jasmine. Like you.”

    No. She shook her head. That wasn’t right. These wind chimes…they were neither beautiful nor ugly. They’re instruments. Just instruments. Percussion. Like a pulse.

    “Yes. A pulse,” she whispered, shaking. “The Devil’s heartbeat.” Shivers wracked her. The Red Brick was so cold tonight.

    No one else seemed to feel it. Goggling the stage, sometimes clapping, other patrons appeared to love the way the wind chimes sang to the air. Jasmine, though, welded to her seat and with Roar’s hat on her lap, stared at them, heart thundering. Don’t listen! Be careful! Was there some way to stop them?

    How? It would take a dozen set of hands to stop these wind chimes from trilling.  

    Eternity passed before the curtain fell for intermission.

    Then she breathed. Let her hands slide off her mouth and down the front of her coat, the backs of them catching on the wool and leaving miniscule tufts of scarlet behind on her fingers. Winter skin. Dry. She’d saturate her wrecked hands with lotion later, the lavender cream she’d picked up when she’d replenished her Revlon lipstick, Scarlet Siren, at Switzer’s. She liked Switzer’s, appreciated its utilitarian directness; plain metal shelves and sparse selection sending a message that was clear: we are not going to dress up all pretty to please you. You either want to shop here or you don’t. She respected that. Made every cosmetic and pharmaceutical purchase there. In fact tonight when she got home (and right after she soaked herself with lavender cream) she’d make a list of things she needed from Switzer’s. She nodded, decisive and grateful for thoughts plain vanilla and mundane. They kept her gaze from darting to the stage to try and peek behind the curtain, see those goddamn wind chimes.

    Jas-mine!”

    Her gaze snapped to the right.

    Nettle Moran lumbered up the steps to her row, feet staggering on the risers. Jasmine at once pitied her clearly bawling knees. “Good evening, Nettle.” She fixed her face with a smile, polite yet dismissive.

    And how many years would she try this expression before she learned that it did not work on Nettle?

    “Hello!” Nettle panted a bit, the exertion of the steps way too much. Why the hell didn’t she ask the committee to seat her in a spot where she needn’t climb?

    Because then she’d no longer be first row and centre, of course. Jasmine closed, then opened her eyes.

    Nettle was smiling and bobbing her head—gamely, as though she were cajoling a particularly precocious toddler. “How have you been keeping?”

    Oh, for Christ’s sake. She wasn’t a cucumber dunked into brine. (Though Roar may have made a case for the vinegar bit being accurate) “Very well,” she replied. “Thank you.” The lack of reciprocation—‘And how are you?’—was both obvious and purposeful. But nosy people never picked up on that cue.

    Nettle’s head continued to bob and it struck Jasmine that all this cajoling cheer teetered close to desperation. Nettle said “Well that’s good, Jasmine. Real good.”

    Mrs. Gavin. What would be ‘good’ is if you’d call me Mrs. Gavin.

    “We worry when we don’t see you.”

    ‘We’? Who were they? And what bullshit. They didn’t worry. They wondered.

    “How are you filling your days, Jasmine? Do you keep busy?”

    No. I piss myself and eat cat food. Isn’t that what old people do? It was galling to even consider sharing anything she did behind the mutton bar windows and scarlet front door of her and Roar’s magic cottage.

    More galling, though, to imagine what all those who wondered would contrive if she didn’t deliver some sort of answer. So she replied—and surprised herself with the truth. “I watch shows.”

    Bait gobbled. Nettle beamed as if she’d just watched a handicapped person struggle from a wheelchair and walk. Again Jasmine closed, then reopened, her eyes. Oh, Roar. Where are you when I need to mock?

    Nowhere. Everywhere. Time had not just punished her with solitude. It also tortured her with memories. And for what? Because she’d dared to prefer her own company to those with whom she shared geography? Because she’d had one, exquisite, love of her life instead of settling for monotonous monogamy that left her longing for (or indulging in) others—such as she’d seen play out in this small town, over and over, new players, different decades, same story for years? “Pardon?” she said. Nettle was still prattling. Wouldn’t shut up.

    “I said what sort of shows do you like?”

    Very few, actually. The sitcoms rewarmed one joke every episode and most of the dramas were cardboard; stock characters and predictable problems, the preference of a viewing audience whose attention span was short and expectations shallow. Some programs though, were outstanding. Complex. Colors outside lines which embraced her into their shifted reality. “Backstage,” she said.

    “What? Where? Backstage? You mean here?”

    No, you nosy twat and stop salivating. I’m not senile. I haven’t lost the train of this conversation. Backstage is a show,” she said clearly. “It’s violent. Graphic. Full frontal nudity and sex so vivid it’s downright pornographic. It’s disgusting.” She smiled. “I love it.”

    Shock folded Nettle’s face into scandalized disapproval, and Jasmine knew that Roar would have been exasperated by this deliberate provocation yet his eyes, underscored with delight, would have silently cheered. And back at home he would have said:  “Once again you’ve convinced the masses of your incorrigibility.”

     “And what bullshit,” she’d once told him, rolling on top, feeling instant heat and hunger. “What’s a mind worth of one cannot speak it?”

    “Nothing.” His fingers had woven themselves into her hair, his touch as exquisite as that harpist with her angel strings. “Nothing’s worth more than your beautiful mind, Jazz.” Their kiss had been every symphony, every ballad, every delicate clash of cymbals. Pornographic? Her heart swallowed a smile. She supposed so.

    “Jasmine?” Nettle’s tone teetered, uncertain. “You don’t look good.”

    Jasmine blinked. Was this busybody for real? Who said things like that? “I assure you, I’m fine.”

    The lights flicked once, twice, and Nettle straightened, clearly reluctant. “Okay,” she said slowly. “I…I guess I’d better get back to my seat.” Yet she moved away slowly, tossing looks over her shoulder, searching Jasmine’s face.

    Jasmine’s brows hopped and her mouth twisted, wry. Maybe I should have double-coated my lipstick. Or gone a little darker with the rouge. She regarded Nettle. Lonely. The word struck her and she knew it was accurate. Nettle was lonely. Spoken to and included only because she was always the one who had all the latest news. Find a hobby. The thought was not unkind, in fact it was more like a benediction, and it made her shudder a little as the curtain rose.

    Again chimes drenched the air, sweet seduction paralyzing her anew in her seat. It was impressive, she tried telling herself, that the damn things had been orchestrated in such a way that they played recognizable songs. Ignoring the performance, she focused instead on Chautauqua council, down in their spots centre-theatre. Trust them to have discovered such an unusual, fascinating act. She shivered. Trust them also to have their heads in their lovely, artsy clouds and not realize that one of them must have forgot to turn the heat on in the Red Brick. She exhaled and was appalled (and embarrassed for them) that her breath came out as frost. Poor Wren. He’d be besieged later, by complaints.

    The temperature seemed determined to drop, plummeted, really, and on stage the wind chimes at once fell to silence. Uh-oh. Had the artist become too cold as well? If so it was a Chautauqua first; a performer halting mid-act due to discomfort. She felt sick for the council yet…the theatre had succumbed to a deep, penetrating silence. She exhaled. Uncomfortable artist or not, it was over. Thank God the damn wind chimes were over.

   Then lightly, slightly, they began pealing again.

    Her eyes ripped opened (and when had she closed them? Why was she suddenly warm?) and she took in the music with a fresh sense of horror. Their wedding song? Those goddamn wind chimes had pirated their wedding song. Indignation, and hurt, seized her. Their wedding music…the score of that long-ago day still sang her to sleep when the wind howled, stretching the night into something far darker and longer than she could manage to sleep through alone.

    She shut her eyes but the chimes played on, ruthlessly caressing every note of their song. Stop. Please. Just stop. Tears gathered, leaked down her face, and when she raised her hand to brush them away it was jarring to see that the stage lights had gone dim. What on earth? First that queer (and deep) silence, now no spotlights? What was wrong? She glanced around but no one else looked the slightest bit curious. Yet why? The spotlights never dimmed when an act was on stage.

    Aha! Down a few rows and mid-theatre, a man (a silhouette, really—it was so dark!) stood.  Part of the tech crew? Was he going to fix things?

    The silhouette turned and faced her.

    Stunned recognition tore sound—mewling and small, yet nonetheless louder than the chimes—from her throat.

    “I’ve been waiting for you,” said Roar.

    Jasmine rose as if lifted, feet not nimble in her stilettos but not because she was old—more because shock, and disbelief, were shaking her to the core.

    And how was it—why was it?—that Roar regarded her face as if it was the most ironic thing he’d ever seen in his life?

    Life? He’s dead. My husband, my love, my every walk after dark, my every star in the sky, he’s dead.

    Yet nonetheless he shuffled, politely past knees and over handbags, until he reached the end of his row. Then he moved down to stand at the foot of the stage and beckoned her.
    She could not move. Was frozen.
    “Jazz,” he said. “I’m waiting.

    She did not think she could do it, yet she floated down the stairs, heels somehow meeting the risers and moving of a volition that was not, could not be, her own.

    Roar faced her, that ironic light still gleaming in his eyes. “Did you catch me in the sound of these goddamn wind chimes?”

    The mimic of her rhetoric should have awakened her tongue, yet when her lips moved no sound came forth. Still—Is that where you’ve been? She longed to ask him.

    He held out his palm. “Take my hand, Jazz.”

    What is this? Still, she reached with no hesitation—this was Roar!—and was stunned to see that her wrist was smooth and unmarred. Veins a mere whisper of blue beneath skin restored, soft and firm.  

    “And give me my hat, you sneak-thief.”

     She removed it from her white coif of hair, stunned when a mass of sable silkiness tumbled onto her shoulders.

    “Dance with me,” he said.

    Dance? She glanced. There was no room between the apron of the stage and the first row of seating; what the Hatlen Theatre held in charm it had always, sorely, lacked in space. Besides… ‘Dance with me.’ That had only ever ended one way—and they were in public.

    Roar hiked a droll eyebrow. “Really, Jazz? It’s not like you haven’t scandalized this entire crowd before just for sport. Like tonight. ‘Pornographic’? Really?”

    A grin twitched on her lips.

    Exasperation—and affection—lit his green eyes and though it shocked her (so familiar! Exactly the same!) she still managed to say “It served her right.” God! Her voice was unrecognizable. Lighter, and with no gravel pull of spent vocal chords. She swallowed. “W-what’s a mind worth if you cannot speak it?”

   He considered this and irony melted away, left him looking melancholy, like Wren and she had when the evening began. “I used to say nothing was worth more than your mind, Jazz.” Roar held her hands. “Now I know that your mind is worth being trapped for.”

    On stage wind chimes pealed and trilled. She whirled and faced them, horrified. “Is that where you’ve—”

    He pulled her close, kissed her, and it was again—still— every symphony, every ballad, every delicate clash of cymbals. When he lifted his head she was breathless. “And for the record, Jazz, yes: I really did love you the way you loved me.”

    Oh! “Y-your heart exploded.”

    “Yes.” He nodded, looking sad. “But tonight it started again. See?” He opened her hand, placed it on his chest.

    The whole theatre flooded with heat and “Jazz,” he said. “I’ve been waiting so long.” He flicked a gaze to the chimes, alight with old rue. “May I trap you with me?”

    Wasn’t that where she’d been? For fifty eternal years wasn’t that just where she’d been? Her head bobbed and it struck her that maybe the gesture made her look a whole lot like Nettle. She winced and Roar laughed, the sound loud enough to shake the ceiling.

    Yet not one patron so much as blinked. Although…Wren, front row. Was he smiling?

    “Dance,” Roar reclaimed her.
    She spun, scarlet coat catching air and floating ’round her ankles.
   Roar kissed her. “And Jazz never, don’t ever, take your windsong off my mind.”

 

Bonnie Randall, 2015

Thursday, 20 November 2014

Weighing Feathers Against Rocks ~ A Reflection on Brain Science, Adversity, & Resiliency


A pound of feathers or a pound of rocks? Which is heavier? Answer carefully...

Last night I did a presentation on brain development, sharing science on how brain architecture is shaped—or misshapen—by early childhood experiences.  I impressed upon my audience that brains are not born, they are built, and that as such we have potential as opposed to innate abilities. That we are resilient but by no means bulletproof.

Data indicate that from the ages of 0-5 we have the greatest potential for brain growth, more than we will ever experience again in a lifetime. This open window is finite. The plethora of synapses created during this period will only stay active if we are stimulated by being looked at, cuddled, spoken to, sang to, or nurtured with food, sleep and physical care. Synapses strengthen and flourish under these optimal conditions, while the absence of the aforementioned interaction will do the reverse: synapses, (over-produced in these short, early years) will prune off and die—taking their immense amount of potential with them.

Adversity kills synapses too. Brain architecture is distressed by the rocks we carry or, as neurologists in this field label it, ‘toxic stress’. Toxic stress—or rocks—derail brain ability and growth.  Events like parental addiction, exposure to domestic violence, poverty, abuse in any form, family breakdown…all leave indelible marks on brain architecture—so much that if we envisioned our brains as houses, the toxic stress would be the rocks that busted all the windows to let the cold in. The snow. Allowed all the heat, light, and life to escape. 

Because rocks are hard. Rocks are heavy.

How heavy?

As a metric, the Adverse Childhood Experiences Scale serves to calculate the number of detrimental episodes people endure over the course of their childhoods.  The list looks like this, with each question scoring as 1 for a possible score of 10:

  1. Did a parent or other adult in the household often or very often swear at you, insult you, put you down or humiliate you? OR Act in a way that made you afraid you might be physically hurt?
     
  2. Did a parent or other adult in the household often or very often push, grab, slap, or throw something at you? OR Ever hit you so hard that you had marks or were injured?
     
  3. Did an adult or person at least 5 years older than you ever: touch, fondle, or have you touch their body in a sexual way? OR Attempt or actually have oral, anal, or vaginal intercourse with you?
     
  4. Did you often or very often feel that: No one in your family loved you or thought you were important or special? OR Your family didn’t look out for each other, feel close to one another, or support each other?
     
  5. Did you often or very often feel that: You didn’t have enough to eat, had to wear dirty clothes, and had no one to protect you? OR Your parents were too drunk or too high to take care of you or take you to the doctor if you needed it?
     
  6. Were your parents ever separated or divorced?
     
  7. Was your mother or stepmother: Often or very often pushed, grabbed, slapped, or had something thrown at her?  OR Sometimes, often, or very often kicked, bitten, hit with a fist or hit with something hard?  OR Was ever repeatedly or at least for a few minutes threatened with a gun or a knife?
     
  8. Did you live with anyone who was a problem drinker or alcoholic or who used street drugs?
     
  9. Was a household member depressed or mentally ill, or did a household member attempt / commit suicide?
     
  10. Did a household member go to prison? [1]

Please know that for people with an ACEs score of four or more, life is an exceedingly difficult journey—and not just emotionally. For while these folks certainly suffer lifelong difficulties with emotions and relationships, they also find things like work and school really tough. Self-soothing is difficult too and therefore often ends up being sought externally—through a bottle, a substance, or a bed partner.  Serious medical implications also exist for a person with an ACEs score of 4 or more in that this population has a significantly greater risk of heart attacks, strokes, lung disease, AIDS, asthma, ulcers, addictions, and even allergies.

To name a few.

Because the rocks are heavy. Life is hard.

And yet…

Last night I was grateful to be challenged by a question which, as I was presenting such discouraging information, served to encapsulate a great deal of hope. The question was this: “What about people who have gone through hell yet are nonetheless happy, healthy, and successful?”

Indeed. What of these people? We all know at least one of them. Perhaps they are one of our clients. One of our friends. Ourselves.

And how has their brain architecture, pitted by all those heavy rocks, survived? Thrived?

Because feathers weigh more than rocks. Not feathers as defined and dismissed by mere appearance: fluff and fragility. I’m talking about what feathers really are: something soft and yet sturdy. Delicate, yet strong enough to lift a bird into flight. 

Brain architecture, science says, deteriorates as a result of toxic stress. Yet that same science which measures destruction also measures construction, and what the data reflect is that even a person with that tell-tale score of 4 ACEs or more can have their brains rebuilt—sometimes so profoundly that even their genetic construct is altered— if they experience one or more of the following;

  • A  special relationship with an adult who was caring and nurturing
  • Somewhere other than home where they felt they belonged
  • Activities which were easy to participate in outside the home
  • A sense of mastery or feelings of success in at least one area of their life
  • If they could distance themselves from unhealthy family behavior
  • If they had a sense of purpose and future [2]

Science calls the list of bullets above ‘Protective Factors’. I call them feathers. Soft yet strong. Heavier than rocks, and how is that?  I confess I don’t know for sure, but the implication is that kindness is greater than cruelty.  That love perhaps really—even scientifically—does conquer all. 

Because it does make an impact, doesn’t it?  Consider the last time you experienced a welcoming smile. A shared laugh. A safe place to be.  A sense of knowing you were wanted, and trusted, and valuable.  Those feathers were soft, right?  Gentle. But strong.  So strong that we could, with science backing us and in our most officious voices say: “These protective factors rebuilt even the most damaged architecture in your brain!”

Or perhaps we could just say that you were given so many feathers that, despite brokenness, you learned how to fly.  For each feather, regardless of fragility, weighed more than any rock that ever knocked you down.

Peace.

b.r. November 2014

 

 

 

 

 

 

 

 

 



[1] Screener Produced by the Frontiers of Innovation Early Identification of Risk Group
[2] Claudia Black, Ph.D. Family Strategies

Wednesday, 12 November 2014

Do No Harm But, More Importantly, Take No Shit



**caution: profanity**
When something pisses me off I often need to write about it. And whether that’s to purge it, share it, or simply make sense of it, I’m not sure. All I know is that right now I am extremely pissed off so let’s talk. Let’s talk about labelling. Persecution. Let’s talk about the snide, snarky shit some people feel entitled to say before sauntering away, oh-so self important. Let’s talk about re-victimization.

Re-victimization.

2013/2014 was an awful year for my child. She was bullied. Disliked. Labelled as a sneak. Called on the carpet over and over—to the point where I wanted to throw up every time I saw the school’s number on my cell (much less how my child must have felt, knowing I was getting a call. AGAIN).

So what did she do to warrant this dreadful year?

To be frank, I’m still trying to figure that out.  Was she bullied? Yes. One day she brought home a list of names some girls regularly called her and I privately wept at how breathtakingly vicious, and crude, the insults were. ‘Okay,’ you say. ‘But what was her role? Every conflict takes two.’ You are right. She absolutely did retaliate sometimes, fought fire-with-fire. And did she sometimes also, and quite robustly, stand up for herself? Yes, she did. Oh, and, when she was accused of something she DID NOT DO, did she argue, not take the blame? Uh-huh. Guilty as charged.

What a wicked, incorrigible child.

Now, anyone who works knows that every profession develops its own lingo. Educators are no different. Here's what I was told: “She’s the kind of kid who I wonder—where will she be in twenty years?”

Wait. What?

Here’s the thing: I AM MARRIED TO A TEACHER. For twenty years. Meaning I KNOW what a statement like that really means. It is tantamount to saying that you think in twenty years my child might be in jail. Or peddling dope. Perhaps selling her ass. 

What a vile, hateful thing to say that about an 11 year old whose crime was to stand up for herself and to not tolerate being lied about. Yet, apparently being outspoken, direct, and not willing to take any shit is (mysteriously) wrong. Very wrong. So wrong that the end of her year was like watching the Hindenburg crash in slow motion; a never-ending retching of flames, explosions, and noxiousness. A happy, energetic, extroverted child became distrustful and bitter. So depressed she had a hard time getting out of bed.

September 2014 meant a change. A new setting, different school, (one where her Dad, ironically, is the principal), and she is happy. Plays on sports teams. Volunteers at 7am for the Breakfast Club twice a week, every week. The school is divided into house leagues and she is proud to earn points for her respective house as often as she can. Last week she was ill (Hand-Foot-And Mouth Disease) and had to be home for a full five days so as not to spread the infection. She ached for school. For her friends. Her teachers. Her beloved volleyball coach.

A new year. New vigor. Happiness. Hooray! These experiences reflect her true nature, the person who last year no one got to see and few cared to know.  

Apparently some still don’t see her, or know her. Today I had an appointment downtown, and note that in a small town privacy is a mere illusion; any office has a catch-all waiting room allowing everyone and their dog to see that you’re there (and likely wonder what you came for). My nose was in a book and, hating conspicuousness, I was trying to fly under the radar. Didn’t work. Someone from my child’s old school, a person who typically wouldn’t piss on me if I was on fire on any other day, approached me. The first words after hello? “So. School any better this year? Her Dad keeping her in line?”

My speechlessness spoke for me.

“Or maybe he doesn’t need to keep her in line.” A slick chuckle. “Maybe with him there she knows better than to cross it.”

Okay. Did I miss something here? Last year did my child bring a gun to school and shoot out all the lights? Blow up an out-building? Conduct a black mass in the darkened gym over lunch hour? 

’Cause why the hell else would my child, no longer at that school, still be such a hot-ticket topic that someone felt the need to go out of their way to bother me about it while I was reading?

Or (and I am being real magnanimous here) maybe this was some half-assed attempt to be funny.

Well, here’s a newsflash: I’m not laughing. I’m fucking well furious. That an insistence (despite the change in geography!) prevails to malign my child, discredit her, to try, clearly, to convince even me, her mother that she’s some sort of deranged delinquent is equal parts astonishing and infuriating. And all of it because….why, exactly? I sincerely don’t know. If there ever was some big, bad reason, I assure you it was NOT shared with me. So that leaves me with my best guess and it’s this: my child is disliked, labeled, call-it-what-you-will because she did something which, as she matures, will only ever serve her well: SHE TOOK NO SHIT.

What a sin.

That a young person, who will one day emerge into womanhood, is already cultivating the skills to take down bullies and predators. To call people out on their lack of integrity, their viciousness, their bullshit. What have we raised? Where on earth will she end up in 20 years?

Under no one’s thumb, that’s where. ’Cause she takes no shit and that thoroughly pisses some people off.

Well, guess what? I no longer plan to take this shit, either. Today’s experience made the high road impassible.  Made my patience so thin it’s now both colorless and odorless, a whole lot like poison, and I’m thinking: what is the best way to commend my daughter for her courageousness (yes: COURAGEOUSNESS) in refusing to be bullied? Why, it’s refusing, in turn, to be bullied—or labelled, or antagonized, or re-victimized. By ANYONE. See, I already did the responsible things: I addressed behaviors when behaviors were pointed out to me.  I orchestrated the transition of switching schools. I continue to invest a tremendous amount of energy in what (in my profession) we call ‘asset building’; a fancy phrase that really just means encouraging what’s working or positive.

But here’s what I will no longer do: I won’t turn the other cheek when some smart ass, some lookie-loo, or some self-righteous asshat feels the need to remind me of how much they dislike my child. When they try to convince me that they are right and that I am somehow wrong; that she is some sort of ‘problem’. No. I stood in enough of that shit last year. And this year I thought my boots were finally clean—but today someone felt the need to remind me that they are not. Fine. If there is an adult out there who continues to carry a grudge over an 11 year old child with a backbone? Then I highly encourage them to come tell me all about it. BRING IT ON.

Friday, 24 October 2014

Sympathy For The Devil? A Halloween Short Story

I wrote this tiny horror story a few years ago as a lark on my facebook page. Maybe you will enjoy it too....BOO!


Sympathy For The Devil?
The night air is dark on my cheeks and I run, cemetery stones racing by, a jumble of dates with dashes in between. A Rowan tree casts moon shadows over the graveyard and for a moment I’m certain the one I’ve come for is gone. No! Surely there’s still a home! I hover between stones, eyes darting. This place is still so unfamiliar. And cold. Had it always been so? Frost has erupted now that the sun is long gone and looks like lace on the ground, cold beneath my bare feet as I race the rows. There!  A stone, glossy gray, bears the burden of a cross and a name familiar scored into the granite. I reach it relieved, and as my fingers bump over the engraving sensation courses inside just as if the name etched in rock reaches back, touches my hand the way I’m touching it. Life, I think. This sensation is life, humming beneath my fingers like blood within veins. I fall still before the gravestone and “I knew you,” I whisper, surprised by the shard of hurt in my heart. I thought I was finished with feeling.  

    It is time, The Rowan tree whispers, for there are rules, and the few late October leaves the Rowan holds rattle in the night breeze, a call to all the dry bones. It is time. Twenty four hours of not long enough and every moment was precious; first that dead of night visit to a friend who believed the tickle on her cheeks was bunched bed sheets, not hands. She brushed them off with such impatience I laughed. But then her eyes popped awake in the dark and I shrank away. She must have sensed me anyway for as I fled I heard my name in the prayer that she said.
    I said one back and moved on.   

    My husband I waited for ‘til the sun rose. I wanted to see him in the light.

    Perhaps I shouldn’t have.  

   The lines on his face were new and the weariness in the way he didn’t lift his feet – or his head – made me long to reach out. But again, there are rules.

    I tried breaking them but it is things, not people, I can touch and so my grasp slipped through his fingers again and again until at last he simply slid his cuffs over his hands as though he’d grown cold. The gesture struck me as lonely and the flood of rage that awakened my insides was shocking. Maybe I’m not done with feeling.

    Or maybe I’m simply not done.

    A sudden smile chased the chill from my face – God, it is cold here! – for the rules do not say revenge is forbidden, only that it forfeits the right to return to love on this, the Hallowed Day. Which meant … “I can even the score.”

    My husband heard my voice as the rattle of dry leaves whirling in the wind at his feet, their sound that of dry bones tap dancing on the sidewalk. He looked at them a moment, bemused, then the cold kiss I placed on his cheek made him shiver and he pulled his collar up, against the cold.

    I chose to not take one last look at him before the whirling wind lifted what’s left of me. Even the score, I think. Make him smile. I knew what would do it. No one had ever found the man who killed me. But the dead often know what the living do not.

    And what I knew was that the bastard could not hide from me.
    My Hallowed Day crept by and at last dying daylight received the killer’s face - and pulled the shadows from the walls. “Who’s there?” he asks, voice a little bit breathless, darting eyes a tiny bit worried. “Who’s there?”

    “Why, no one,” I reply but what he hears are dead leaves – dry bones – tapping at the window. And what he sees …  

    “Not possible.” His voice is girly-high, like a whistle, and he scurries back as the door opens and shuts on its own. Cowers as his possessions are thrown and shattered. For it is things, remember? not people, that I can touch - and I do. 
    He becomes frantic and I like it.  Then … ooh. I see it. The knife he’d used. Hanging in a spot as though it too is Hallowed. Still shiny-sharp there’s a memory in its blade – my face, reflected all wide-eyed and pleading. Sweat and panic taste the same, did you know? Before that night I did not. But he taught me.

    I grasp the knife from where it hangs, his squeals of terror the sounds of a symphony as I draw designs upon the air with the blade.

    Then I draw on him.

    The rules say I can’t touch him but this knife surely can and his pain and panic are such adrenaline … perhaps if I could feel then maybe it would be pity that’d seize me as he tries to run.

    Or maybe not.

    I am everywhere yet nowhere and when he ducks the blade I’m patient, let it find him from another direction. Sweat and panic taste the same but someone’s terror? Now, that’s sugar.  And their blood bath? Milk and honey.

    The rules say revenge is wrong and I always assumed it was because it’s so wicked.

    Wrong.

     It’s ‘cause it tastes so damn sweet. No wonder the Universe Eternal grants only one short day – All Hallow’s Eve – for those of us Passed to be who we choose to become. No wonder there are ‘rules’.

    But … rules never really were my thing. That’s why I went running that night in the first place, out in the shadowy twilight with music drowning one of my senses. Why my body didn’t just end up stabbed but butchered – for I did not play by the rules my killer had and a kill who fights back winds up mutilated, defense wounds. Rules. Even since the day I died I’ve risen up on Halloween and been out of my grave before the second hand slides off of 11:59 - then not back before my tombstone ‘til the clock is actually kissing the midnight-morning of All Saints Day.

    All Saints Day. Guess that won’t mean much anymore. For shattered or not there are rules and from this day on I’ll have to play by a new set, keep company amid all the rest –the majority, actually - who’ve turned their backs on light, love and mercy. With all those who’ve chosen to become the fabled demons in the dark, righting wrongs as they see them on this, our Hallowed Day, twenty four hours during which the living and the dead are eye-to-eye equals.
    It is almost midnight. Time to go, repeats the Rowan tree and I step forward, the earth accepting my foot as delicious as sliding into a warm bath. The last thing I see is a name familiar scrolled on stone. I knew you, I tell it again. But I don’t know her anymore. Am unfamiliar with her new longing to raise chins with chilled hands and force the unworthy to look fear in the eye.  A calendar year lies between tonight’s midnight and next Halloween. An eternity to lie dormant, craving the electric taste of terror.

    Surely it must be wrong to look forward to such a life.

    But maybe not.


b.r ~ Halloween, 2011